Why Does One Documentary Clip Cost $70,000?

Podcast: Documentary First: Conversations on Documentary Filmmaking · Christian Taylor | Documentary First

Opublikowano: 2026-05-07

What does the person who cleans up documentary licensing messes wish you had done before you shot a single frame? Teddy Cannon has spent 10 years in what he calls the link in the production line, standing between the filmmakers, the legal team and every vendor whose footage, photos or music ends up in a film. His job is to make sure every third-party asset in a documentary is cleared before it ever lands on the editor's palette. And more than half the time, he says, he is brought in to clean up a mess. In...